A Wounded Deer...by Emily Dickinson

A wound deer leaps highest is a rime written by Emily Dickinson. The literal subject of the song is the story of a wounded deer from a hunter, thence the title of the poem. The intended purport of this poem is to send a message to the audience, a crabbed message about nuisance and suffering. Such claim comes from the use of vocabulary within the peom such as, wounded deer (1), soft on(p) rock candy (5), and trampled steel (6) that purpose a form of accidental injury and abuse. Congruent to the aforementi hotshotd secern to the poems purpose, the predominant strain of the poem is omnious. Provided that the vocabulary used in the peom are about wounds, death, and anguish, the atmosphere of the poem is arguably one that of a darker mood. The author uses juxtaposition of metaphors to communicate the concept of a cosmopolitan idea that totally things react in a pretense of normality, even pertness to pain and suffering.\nThe first-class honours degree workout of this metaphorical juxtaposition appears in the very first overseas telegram, A wounded deer leaps highest (1), subject matter that the deer seems to be in the best condition whilst it is hurt. and then it is explained that it is only a facade, T is moreover the ecstay of death, / And then the brake is unchanging representing the message of the author: the universal concept of false pretense. The rapture of death is the metaphor of the facade, and brake on the next line meaning the suffering, creating juxtaposition of the first stanza.\nThe second stanza is where the author had represent the universality of the theme with her metaphorical use of dyspneal elements such as rocks, steel, and a disease.\nThe line The smitten rock that gushes seems to be a biblical allusion of Moses, when upon striking a rock, pee gushed out to provide irrigate for the Israelites. The rock in its turn of death gushes out water system, and water being a emblem for life, is a metaphorical riddle a gainst the verb, smitten, an action for corporal harm. The next ...